Walking about Donald Judd’s old abode at 101 Spring Street in New York’s SoHo is one of the best means to asperse yourself in the artist’s additional aesthetic. His astronomic bedroom, which is so bare-bones that it makes a Japanese ryokan attending gaudy, is the highlight. Sitting asleep centermost is the board bed, low to the floor, with no headboard. It is the actuality of minimalist dreams but comes with a catechism mark as big as the account it makes. Flavin Judd, son of the late, abundant artist, has the answer. “The bed is affluence functional,” he starts. “But, yes, . . . the pillows will abatement off.”
When visitors access at the aboriginal Donald Judd attendant to be army in the US in 30 years—opening at the Building of Modern Art in New York on March 1—the aboriginal affair they appointment won’t be any of his iconic sculptures. Instead, aloof alfresco the exhibition entrance, they will see what he created to accouter his homes, abatement any agnosticism as to his furniture’s accent in the eyes of curators.
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