THE APOLLO LUNAR SURFACE CLOSE-UP CAMERA has to be the ultimate point-and-shoot. It amount $1.3 million—and that was 30 years ago. Designed to shoot close-up stereo pictures of the moon’s surface, it was additionally alleged the Gold camera, not because it was cher but because the man who anticipation it up is Thomas “Tommy” Gold, a British scientist who fiddled in his basement with a 35-mm Nikon and a board arrangement until he had the able angles, focal length, and added requirements for the moon camera’s optics. (“I took a admirable account of a grasshopper—it was absolutely gripping,” Gold recalls.) Kodak provided the technology and congenital the camera, accustomed acutely as the ALSCC; it was acclimated on the moon by Neil Armstrong, Alan Bean, and Alan Shepard during Apollo 11, 12, and 14.
The accelerate pairs produced by the Gold camera, apparent with a stereo viewer, appearance beauteous 3-D glimpses of the lunar apparent in segments barometer seven by eight centimeters (2.8 by 3.2 inches). They appearance what you would see if you could get your adenoids aural about 11 inches
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