In the aboriginal decades of the 20th century, afore the appearance of the California modernist movement, Los Angeles’s vaunted indoor-outdoor affairs had not yet become the defining adapted of the L.A. residential landscape. Most houses still clung to an beforehand archetypal of calm architecture, one that posited residential amplitude as a breastwork adjoin the aggression of nature. As a result, abounding homes were advised to attending inward, with decidedly aphotic apartment cloistral from the adamant Southern California sunshine.
Such was the case back designers Nate Berkus and Jeremiah Brent were commissioned to transform a august but somewhat bleak Tudor abode congenital in 1925 in L.A.’s Hancock Park neighborhood. Their audience were Brian Robbins, admiral of the Nickelodeon network; his wife, stylist Tracy James; their adolescent daughter, Stella; and Robbins’s sons from a antecedent marriage, Justin and Miles. “These are bodies who accept channelled a lot of artistic beef over the years in ball and fashion. They asked us to accomplish the abode beneath abundant and ornate, and added adapted for a avant-garde family—something affable and warm,” Berkus recalls. “
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